Introducing... Sub Hop Collective

DIVE IN

Brain Scran are proud to say we’ve been a cog in the birth of the rowdy rap and bass music megazord that is Sub Hop Collective. A project that’s part creation, part curation. A collaborative effort between Scran gang, UKHH.com, a crack team of core producers pushing the boundaries between hip hop and sub heavy rave sounds, an expanding array of underrated MCs and a couple TBC Soundsystem partners.

We’re sat on a frankly excessive amount of original material, killer in-house bootlegs of genre classics and a meticulously selected library of obscure bass music that lands in the hip hop groove. All built from the ground up in unison, with the objective of creating a live sound that’s true to the core elements of hip hop but also an absolute sonic assault custom designed for rave level speaker stacks.

The crew are not playing. What we’ve dropped to date is the tip of the iceberg. Hit the link below to support/follow on Insta, Bandcamp, YouTube, Streaming etc. To keep up to date with all audio drops (including the bootlegs we can’t get away with anywhere else) follow the SoundCloud. We’re also offering access to a folder of all our bootlegs for a one time donation to Medical Aid for Palestinians. (IG for more info). Keep em peeled. Much more incoming…

LATEST VINYL: Cracker Jon & Fraser Syme - Slug Festival

SHOP

Week 173 of the Slug Festival. What was meant as a carefree weekend of reckless abandon has morphed into a different monster entirely. There is no end only Slime. None escape the dance. Tribalism runs rife as various gangs of DJs, artists and punters feast on the remains of the oppressive security regime that made its last desperate bid for control in week 150. Something sinister fuels the spectacle from backstage. The generators should have packed up 2 years ago, yet somehow the lights stay on. A drone of indistinguishable bass from all sound systems still playing at full volume blurs into one never ending tune that all limbs must involuntarily move to. One food stall remains open for perpetuity. Nobody looks at what they’re eating from it or asks where the never-ending supply of sustenance is coming from.

Cracker Jon was last seen in the thrall of the Slug King. Devoid of free will. A servant of the sludge. Once under the Slug’s command there is only so long remnants of the human mind can cling on. Soon there will be no coming back. 

In a last ditch attempt to rescue him we’re assembling an extraction team. But mercenaries don’t come cheap. 

Yep. What we’re getting at here is … Jon will die if you don’t buy Slug Festival on Vinyl or Digital asap. Head to our shop to cop. 

KATZ WITH A K and Muccarelli present... The Fixer

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Uncut diamond KATZ WITH A K continues to keep shit elusive… With two starkly different projects emerging from a recent recording spree. Rest assured that neither of them will be palatable in any mainstream sense.

First up... Katz returns to a stripped back DIY sound on his new LP The Fixer in collaboration with producer Muccarelli. A discordant hip hop fever dream that is frequently an ode to classic gangster movies and tropes. It’s never just one thing with Katz though. A master of blurring personas from one bar to the next, lyrical content effortlessly moves from clearly fictional Sopranos/Goodfellas territory to a street level honesty. The latter deftly phrased via irreverent humour, countless kink references and real experiences of life on the wrong side of the law. 

It’s impossible to be sure where the line is on which bits are true and which aren’t. But that’s kind of the point. As a road certified youth that escaped and outgrew the life and didn’t even start making music about it until a decade later… From his first releases Katz has been building a musical universe where real life demons can be exorcized and simultaneously parodied.

On the The Fixer, the sonic landscape provided by Muccarelli on the boards creates a unique setting for the Katz opera to play out over. It’s a strange ride littered with abstract quotables. Fittingly cinematic melodies and a raw approach to production combine perfectly with a lyrical ethos that’s part hip hop, part punk, part fact and part fantasy.